I read a very interesting report earlier this week that I mentioned in one of my last posts. It was called ‘The Future of Learning Institutions in the Digital Age’. It is an interesting read and even though it is primarily focused on higher education, it has parallels with the work we do with students at secondary level.
This paragraph rang true for me;
Every university in the global north, of course, is spending large sums of money revamping its technology offerings, creating great wired spaces where all forms of media can be accessed from the classroom. But how many have actually rethought the modes of organization, the structures of knowledge, and the relationships between and among groups of students, faculty, and others across campus or around the world? That larger challenge—to harness and focus the participatory learning methods in which our students are so accomplished—is only now beginning to be introduced and typically in relatively rare and isolated formats.
It made me think of the Digital Revolution rollout of netbook computers and infrastructure happening now. While creating technology rich environments is important in today’s world, supporting them with teacher professional development to make the most of participatory learning opportunities is vital. I’m not convinced that that part of the process has been thought through.
Which brings me to our Yr 9 Ning. This platform came out of our participation in Professional Development (Powerful Learning Practice). For us, it’s been a great week in our Year 9 Ning. Participatory learning has certainly been at a premium.
I’ve mentioned in recent times our study of Michael Gerard Bauer’s ‘The Running Man’ and our visit from Vietnam veteran Barry Heard. Well, last weekend both Michael and Barry joined our Ning and they have been responding to reflections and questions posed by our students.
It’s been a great learning experience for all of us. Both Barry and Michael have been very generous with their time, and have, I think, surprised our students with their presence. The day after Michael and Barry started contributing we opened our class with a visit to the Ning. The look on some of the students’ faces was priceless. They really didn’t think that we would have real life authors make an appearance! Some of them felt a little intimidated when it came to posting a question. They were worried their question would seem trivial or unimportant and not worthy as a result. One of the ways we overcame this was to have us brainstorm a list of questions and have one student post them on behalf of the group.
Barry left a comment for every student who had posted a comment in one of the forum topics that had been posted after his talk. Each was a personalised response. I know how busy Barry is and want to publicly thank him for his efforts.
Michael has visited frequently over the week and I want to publicly thank him too. He was posting comments from an internet cafe in Adelaide and let the girls know this in his comments. (He was there last week visiting schools.) Tuesday, Wednesday and Thursday he was in the Ning helping us out with our understanding. He visited again on Saturday and even uploaded a picture of the visual he made reference to in the novel when Tom Leyton had a picture of Frankenstein pinned on his wall. I’ve been overwhelmed by his efforts. Perhaps the best way to give you an indication of the quality of this interaction is to show you a student comment and Michael’s reply (I hope Michael is OK with this!);
My name is *****and I must say I really enjoyed reading your book. Most school books don’t feel like actual stories that you can really get into, because you just know that you have to read it for school. However, your book was wonderful!
When I was reading it, I forgot that I had to read it for school and I kept picking it up because I wanted to, not because I had to. Thankyou so much for that.
I’ve also been reading your replies to other girls and you have answered sooo many of my questions and I’m so thankful. Like ***** said, you’ve really helped us to understand the book so much more.
A question for you, I think I better ask you one to keep the ‘flow of the ning’ going. I know it’s a bit off the topic of ‘The Running Man’ but anyway…
When you’re writing, do you see the story in your mind, like it’s already a book that you’re reading yourself?
I love writing fictional stories and while I write I see, almost like little clips from a movie of my story, in my mind.
I’m just curious to see, if it’s something you do too, or maybe it’s just my weird mind!
P.S. I did spot the ‘Leighton’ in the story. My friend and I came across it and we had a little giggle
Thanks you so much for those lovely comments. I am so glad you enjoyed the book.
That’s a great question about ‘seeing the story in your mind’. I think you and I are exactly the same when we write. I have used the same description you did of writing being like seeing part of a movie. Often I ‘replay’ a scene over and over in my mind until something makes it click on to the next scene. When I write I imagine what I’m trying to describe as a movie scene with certain camera angles, close ups etc. I’ve always said that I don’t feel so much like I’m creating something from nothing when I write or making it up but that I’m uncovering or discovering something that already exists somewhere – like the story is real and my job is to find it or see it. So no, I definitely don’t think it’s just your weird mind! (Of course it could be that we both have weird minds!)
Some people thought that different spelling of Leighton/Leyton was there on purpose. They thought it might have been symbolic or something. Nope, just a typo!
I think you can see the high level of interest from both student and author here.
I read an article entitled ‘A book is a place’, by Bob Stein that appeared in ‘The Age’ newspaper here in Melbourne. In it, the writer speculated about the changing nature of the book and the resultant changes for authors as the book evolves in a participatory culture. Here is some of Bob’s thinking;
I was now thinking of a book as a place – a place where readers, and sometimes authors, congregate. Along with that came the realisation that this new formulation required a wholesale re-thinking of the roles of different players.
Essentially, authors are about to learn what musicians have grasped during the past 10 years – that they get paid to show up. For musicians, this means live performances account for an increasingly significant percentage of their income in contrast to ever-shrinking royalties from sales. With books, as we redefine content to include the conversation that grows up around the text, the author will increasingly be expected to be part of that ongoing conversation and, of course, expect to be paid for that effort.
What’s been happening in our Ning this week is part of this evolutionary process. Both Michael and Barry have been very obliging to experiment with the medium. Right now, this is a rarity. Not all that many schools (I don’t think!) would be exploring this kind of interaction using a platform like Ning. But this will change and so will the way authors respond to such requests. This potentially will become something controlled by agents with financial incentive for the authors.
Right now, I, and the students at my school, are incredibly grateful to two very committed and interested authors , who were willing to push the boundaries and engage with their audience via our Ning platform. Michael and Barry, you are true gentlemen!