Tomorrow, I start a new job. In it, I will be leading the direction of technology use in classrooms across three campuses. It’s a big job, and one that means I no longer will be teaching my own class. While I welcome the opportunity to think in a big picture capacity and support teachers and students across a very large school, I am going to miss the vitality of the classroom and the close relationships you form with a class over the course of a year. Hopefully people will welcome me into their classrooms, because I think you need doses of classroom reality to keep you grounded.
I’ve had to leave my wonderful class who are taking the elective I created called ‘Language of our Times’. This term begins with the Project Based Learning Spoken Word Poetry task that I have loved teaching. I’ve been meaning to write about it over the past two years so thought now was a good opportunity to share my experiences with it. It also might help teachers at my new school see that I am a classroom teacher too, even if they’ve never seen me teach a class. :)
Spoken Word Poetry task: Year 9
Driving question: How can language move people?
Your task is to work in groups and create a Spoken Word Poetry piece (also known as Slam Poetry) that will be performed in class and then performed for a public audience during our celebration of Book Week in August.Your Spoken Word Poetry piece must use language effectively to convey meaning, and must capture the attention of your audience. The focus for the piece will be decided via negotiation with the members of your group. Group performance, your individual contribution, effective language choices, and high level collaboration efforts toward a common goal will form the basis of your assessment.
- Listen to, read, analyze and write poetry;
- Recognize, discuss and employ the poetic techniques employed in poems;
- Analyze the techniques used by performance artists; and
- Perform their own poems.
Reference explaining Spoken Word poetry: http://www.nelson-atkins.org/images/PDF/Calendar/PoetrySlam_SpokenWord.pdf
“What is spoken word poetry?
Spoken word poetry is poetry that is written on a page but performed for an audience. Because it is performed, this poetry tends to demonstrate a heavy use of rhythm, improvisation, free association, rhymes, rich poetic phrases, word play and slang. It is more aggressive and “in your face” than more traditional forms of poetry.”(follow the link above for more detail explaining what to keep in mind when writing a Spoken Word poem)
Relevant Australian Curriculum Content Descriptors addressed in this task:
Interacting with others
Listen to spoken texts constructed for different purposes, for example to entertain and to persuade, and analyse how language features of these textsposition listeners to respond in particular ways(ACELY1740)Use interaction skills to present and discuss an idea and to influence and engage an audience by selecting persuasive language, varying voice tone, pitch, and pace, and using elements such as music and sound effects (ACELY1811)Plan, rehearse and deliver presentations, selecting and sequencing appropriate content and multimodal elements for aesthetic and playful purposes(ACELY1741)
Interpreting, analysing, evaluating
Explore and explain the combinations of language and visual choices that authors make to present information, opinions and perspectives in different texts (ACELY1745)
Create imaginative, informative and persuasive texts that present a point of view and advance or illustrate arguments, including texts that integrate visual, print and/or audio features (ACELY1746)
Text structure and organisation
Understand that authors innovate with text structures and language for specific purposes and effects(ACELA1553)
Language variation and change
Investigate how evaluation can be expressed directly and indirectly using devices, for example allusion, evocative vocabulary and metaphor(ACELA1552)
We had a hook lesson with Poet, Alicia Sometimes, late term two because that is when she had been booked to come to the school. I had discussed PBL with the students and we went through the ‘main course’ elements when we started with the task.
A “Main Course” project:
- is intended to teach significant content.
- requires critical thinking, problem solving, collaboration, and various forms of communication.
- requires inquiry as part of the process of learning and creating something new.
- is organized around an open-ended Driving Question.
- creates a need to know essential content and skills.
- allows some degree of student voice and choice.
- includes processes for revision and reflection.
- involves a public audience.
At the start of the task I introduced the students to the rubric we used for assessment so that they were aware of what was being assessed before they began and understand what to work towards. It was also made clear that although they were working in groups, they would be individually assessed based on what they demonstrated throughout the duration of the task. We used the collaboration rubric from the Buck Institute of Education and I added a component for reflection because I wanted the students to value the importance of reflecting on their learning. (now part of Gold Standard PBL) I used a scoring rubric from the Out Loud Poetry competition Judge’s Guide to assess the Spoken Word performance element of the task.
The first year I made the groupings without consulting students. Last year, I asked students who they would like to work with as some had begun a poem when workshopping with Alicia Sometimes and I didn’t want to interrupt the flow that some had attained. Some groups formed naturally from this process but I did place students in other groups.
I was continually heartened by the majority of the groups’ application to this task. I tried to focus them at the start of a lesson by asking each group to briefly provide feedback to the whole group about where they were at and what they think they need to build on for that lesson. At the end of a lesson (when time hadn’t got away from us!) we refocused by watching a YouTube video of a spoken word poem to continually provide exemplars of effective performance.
Braemar College-Comp from Australian Poetry on Vimeo.
The LMS we used had a sharing space where the students posted examples they had found of Spoken Word Poetry to share with the class. I also included information about Poetic techniques within this space and we explored this as a group to give them some grounding to assist with the development of their poems.
Each group used their Google Drive account and were working on a shared document to collaboratively write the poem. I asked them to identify who had written each part by colour coding the lines for individual contributions and indicating when the group achieved consensus with some lines. That worked well and they honestly provided indicators of individual’s contributions. I always find it interesting when you give the students a lot of agency with their work – my experience has seen students honestly reflect and acknowledge when they are pulling their weight, and when they aren’t. They are self assessing all the time. For some, this is impetus to do better not just for the teacher, but for their own self worth.
The rehearsal stage was always interesting. The scoring rubric from the Out Loud Poetry Guide measures physical presence, voice and articulation and dramatic appropriateness. The students were exposed to many examples of group performances (some seen above) that demonstrated how they could incorporate movement into their poems for effect. They practiced tirelessly to coordinate movement and time delivery of their poems and those who really worked at this performed pieces that quite literally left me and many in the class almost speechless. Other groups were not so polished with some group members not being able to stay ‘in character’ or able to commit all of their lines to memory. They were Year 9 students – I wasn’t expecting miracles because to pull off spoken word poetry well is very difficult indeed. However, over the two years when I taught this unit there were groups who did pull off a miracle, and that was satisfying for me, but more importantly, it was personally satisfying for them.
Working within the Project Based Learning model was eye opening for me as a teacher. I saw students work way beyond the capacity of what test scores predicted as their achievement level. They were invested in their groups, saw the value of shared purpose and some exhibited leadership capabilities I had never seen evident in more traditional learning tasks. More than once students told me how proud they were of what they were doing and this was clear when they publicly performed their pieces at our Book Week performance days. In the second year, we invited parents to come along and those who came were blown away by what their children had managed to achieve.
A moment stood out last year when sometime after we had finished the unit, an English teacher came to see me one morning to let me know that a student in her regular English class had written a remarkable poem that incorporated an extended metaphor, repetition and other poetic techniques that she did not think were in the range of this student’s ability. When she quizzed her as to where this inspiration emanated from, the student explained that in our Language of our Times elective we had studied Spoken Word poetry and that was where she had learnt these techniques. What did I love about this? Being able to talk to this student and ask to view her poem as I had heard how wonderful it was. I could almost feel her pride in herself envelope me at that moment.
You guessed it, those are the moments to savour, and the moments I will miss. :)